Thursday, May 31, 2018

HUA 101 final essay

       The documentary “waste land” is about an artist Vik Muniz. He is considered a transformative artist. His goal with his art is to be able to change the lives of groups of people with material they use everyday. He did this by drawing the faces of the son and daughter of plantation workers made out of sugar. He believed that material was very important there for in this piece the sugar symbolized the sweetness of the children. 
In the documentary he travels to a town in Brazil called, Jardim Gramacho. Here in the beginning he is not well aware of exactly how his piece is gonna turn out he’s just aware of the medium/ material that he wants to use. The material he chooses is trash from the landfills. Here is where we see the first answer to the question “ does art change people?”. While working on the art he befriends some of the workers from the landfill. He begins to learn about their lives and how they ended up working picking up recyclables as well as what their ambitions in life are. This answers the question because it is the artist who begins to change first. We can see this in minute 9:45 where he’s talking about the “pickers” with preconceived notions saying that “these are probably the roughest kind of people… most are drug addicts etc.” By the end of the documentary he admits that the people/subjects of the art work changed him. He uses the people he spoke to as his muses takes pictures of them and had those same people help him create enormous versions of those pictures made out of the recyclables they were collecting. The way in which the art changed the “pickers” was that when they started working on the piece they no longer wanted to go back to the landfill, many realize they had settled for this job and they weren't really “happy”, but that they wanted more for themselves. The change is also indicated in the end of the film when each of them creates libraries, centers, restaurants amongst other things with the proceeds, however they end up being proud of having worked at the landfills and now have the will to change. Vick at the of the film says that he also changed in the sense that he sees things in a simpler way and with less material ambition. And that all this was a result of the people he met who inspired him. This all contributes to why social practice in art is just as an important medium as the material itself. 

Thursday, May 24, 2018

Oral Report

Rocio Torrico                                                                                              5/24/18
Outline HUA 101
Jennifer Allora & Guillermo Calzadilla 
Intro: Jennifer Allora was born in Philadelphia, PA in the year 1974. She graduated from the University of Richmond in VA in 1996. And later on earned a masters from the Massachusetts Institute of Technology in 2003. Calzadilla graduated with a Bachelors of Fine Arts from Escuela de Artes Plasticas in San Juan, PR in 1996. and later a Master’s of fine arts from Bard in 2001. 
Began collaborating in 95’
Body:
  • piece 1: Chalk- idealogical and geological (site specific work) 2002
  • “write big words physically and symbolically”
  • helped protesters.. disrupts norms of a setting
  • police took the sculpture 
  • created in Peru, human sized- 64 inches long and 12 inches in diameter
  • installed in paris, boston, and NY 

  • piece 2: landmark (site-specific) 
  • Chromogenic prints from digital files
  • 24 color photographs
  • Each 20 x 24 inches 
  • made in 2002
  • “…Embossed with words and images, the soles spoke silently but assertively, voicing a host of positions, opinions, and grievances…” Princeton University Art Museum. 
  • Created in Vieques, PR. 
  • piece 3: Returning a Sound (site specific/ conceptual)
  • created in Vieques, PR 
  • made in 2004; total running time 5min 42 sec. 
  • the trumpet attached to the bike lacks a key therefore resembling a siren 
  • show class video on youtube at 7:00 
  • “…Returning A Sound at once celebrates a victory and registers its precariousness, calling for an unheard-of vigilance…” Calzadilla; bombmagazine.org 

  • piece 4: Hope Hippo (conceptual)
  • made in 2005; sculpture 192 x 72 x 60 inches
  • made out of mud, elephant bones, whistles and daily newspaper 
  • features a performer reading a daily news paper, they blow the whistle when ever they read something they consider has injustice 
  • piece 5: clamor (conceptual/ transformative art)  
  • created in 2006 
  • have class guess what its about 
  • tell class what its about: “…It’s the music of war, music as a weapon, everything that has to do with music and war…” Calzadilla; Art21
  • materials used:1 tubist, 1trumpeter, 2 tombonists, 1 flutist, 1 drummer 
40:00 minute pre-recorded soundtrack 
365 x 207 x 64 inches
  • sculpture representing a bunker or cave. made of: Plaster, foam, pigment










Bibliography
  1. Art21